Meeting with Marion Le Corroller, the director of Sanguine

Escaped from the world of finance and an “old France” environment, the young filmmaker creates with Sanguine an insolent object that invites Cronenberg and body horror into the nightmarish setting of French emergency services…

“Sanguine, I gave birth to it in the literal sense of the term. In the middle of filming, I had to be rushed to the hospital. And they opened my stomach to suck out the fluid that had seeped in after an effusion.”

Three days later, Marion Le Corroller was already back on her set.

Told by the young director in the new issue 579 of Première, this episode sums up both what we see on the screen – a young newbie in the emergency room whose stress causes uncontrollable bloody reactions in her body – as well as the filmmaker’s temperament.

Even when she was very young, Marion Le Corroller saw herself becoming an artist. Except that his family and the economic state of the world decided otherwise. “When I passed my baccalaureate in 2009, we were in the middle of the subprime crisis. Everyone is predicting a global recession. My parents freak out when I tell them I want to do cinema. They already see me under the bridges……