Cannes 2026: Why Fast and Furious is a true classic
Cannes invites Vin Diesel and his Supra to Lumière to celebrate the 25th anniversary of the film. Marketing operation? No doubt. But also, the opportunity…
In Waves: wonderfully moving (review)
We already have the first nugget of Cannes 2026. An animated film opening Critics’ Week is already a small event in itself. After the tidal…
VisionQuest: a broadcast date and the return of Ultron for the Marvel series
Paul Bettany will play the White Vision seen at the end of WandaVision. And everything doesn’t seem very simple in his head… Postponed several times,…
Cannes 2026 – Day 1: Peter Jackson’s “bad taste”, Theodora vs the Beatles, an electric opening…
Every day, the hot spot live from the 79th Cannes Film Festival. Film of the day: The Electric Venus by Pierre Salvadori With The Electric…
What is Punisher: One Last Kill worth on Disney+? (critical)
Jon Bernthal goes into John Wick mode in a special 45-minute episode that is melancholic and powerful as hell. Visceral if not essential. You’ve never…
The Electric Venus: a marvel of comedy (review)
Pierre Salvadori in a state of grace. An irresistible quartet of actors. The 2026 Cannes Film Festival couldn’t have dreamed of a better opening! We…
The Electric Venus: A Comedy Marvel (review)
Pierre Salvadori in a state of grace. An irresistible quartet of actors. The 2026 Cannes Film Festival couldn’t have dreamed of a better opening! We…
Adèle Exarchopoulos on the cover, Cannes in theaters: discover the new issue of Première
Thirteen years after the Palme for La Vie d’Adèle, Adèle Exarchopoulos is back on the steps in Garance, the new film by Jeanne Herry. She…
Cannes 2026: it’s going to bleed in Sanguine, French horror film set in a hospital environment
The feature film gets a first teaser, before being presented in a Midnight Screening at the Cannes Film Festival. French horror cinema is doing very…
Ella McCay: a comedy full of hope and nostalgia (review)
Unceremoniously switched to Disney + in January because of its poor American results, the new James L. Brooks arrives for 48 hours in theaters. And…
A simple accident on Canal Plus: a deserved Palme d’Or (review)
Jafar Panahi creates a drama through the absurd by examining the Machiavellian workings of the mullahs’ regime. With the help of an ultra-light device, the…
Nia DaCosta struggles to explain the flop of 28 Years Later: Temple of the Dead
Pure injustice? Bad promotion? Schedule a little tight? The director seeks explanations. On the good momentum of 28 years laterit was expected that its sequel,…