What is Ten Percent the Movie worth on Netflix? (critical)
Five years after the end of its 4th season, the series on the world of agents becomes a feature film without losing any of its…
A Woman’s Life, Farewell Cruel World, Les Ensorceleuses 2: what’s new at the cinema this week
What to see in theaters THE EVENTA WOMAN’S LIFE ★★★★☆ By Charline Bourgeois-Taquet The essentials The director of Les Amours d’Anaïs successfully combines her taste…
Pink: fascinating Sandra Hüller (review)
Awarded at the last Berlin festival, the German actress carries on her strong shoulders this extremely stylized film featuring a woman pretending to be a…
Challengers on TFX: return (finally!) winning for Guadagnino (critic)
Between racing hearts and exhaustion of bodies against the backdrop of tennis, the director of Call Me by Your Name films a love triangle, embodied…
Farewell cruel world: a marvel of initiatory story (review)
With this story of the escape of a harassed schoolboy, Félix de Givry, the co-writer of Arco signs a beautiful and intelligent first film at…
Farewell cruel world: A marvel of initiatory story (review)
With this story of the escape of a harassed schoolboy, Félix de Givry, the co-writer of Arco signs a beautiful and intelligent first film at…
The Maid on Canal Plus: a little guilty pleasure? (critical)
The film adaptation of the novel-phenomenon navigates between soft eroticism, algorithmic efficiency and degenerate Hitchockism. Big hit last winter in theaters (more than 4 million…
The Story of Souleymane on Arte: a great film under high tension (review)
Forty-eight hours in the life of an undocumented migrant before knowing if he will be authorized to stay in France. A race against time that…
Smashing Machine on Canal Plus: Benny Safdie convinces solo (review)
Dwayne Johnson plays MMA champion Mark Kerr in a biopic that balances the violence of the fights with the hyper affectionate gaze given to its…
Three Farewells, Salvation, La Frappe: what’s new at the cinema this week
What to see in theaters THE EVENTTHREE GOODBYES ★★★★☆ By Isabel Coixet The essentials Isabel Coixet adapts a novel by Michela Murgia where an announced…
The Mage of the Kremlin on Canal Plus: didactic, talkative and without harshness (review)
By adapting Giuliano da Empoli’s best-seller on the rise of Putin, Olivier Assayas gets lost in the twists and turns of a documentary film that…
La Frappe: a strong film about incest (review)
Double awarded at the Angoulême festival for its direction and the interpretation of Diego Murgia, this first, largely autobiographical feature reveals a filmmaker to follow:…