Trapped – Caught stealing on Canal Plus: Aronofsky lets go of the horses (critic)
Austin Butler loves the screen with his magnetic loser demeanor in this After Hours on amphetamines where the creative insolence of the director of Black…
What is Chris Lord and Phil Miller’s Last Chance Project worth? (critical)
Ryan Gosling in weightlessness in a fun and (too) well-calibrated blockbuster, signed by the duo of directors of Storm of Giant Meatballs and The Great…
Materialists on Canal+: should you watch the rom com with Dakota Johnson and Pedro Pascal? (critical)
Dakota Johnson plays Cupid in a materialistic New York where love is a commodity like any other. Falsely sophisticated and really hollow. Released last summer…
The Dance of the Foxes: an incandescent coming-of-age (review)
A sensitive first feature film from Valéry Carnoy, with an imperial Samuel Kircher as a young ingenuous boxer who the transition to adulthood and toxic…
Rays and Shadows: the first French summit of the 2026 cinema year (review)
There have been great films about the Resistance. On the Occupation, too. On Collaboration? Xavier Giannoli attempts (and largely succeeds) the great unthought/impossible of French…
The Testament of Ann Lee: an aesthetic tour de force (review)
Co-writer of The Brutalist, Mona Fastvold is directing a third female feature, dedicated to a figure forgotten by the history books, and radically plays with…
Il Maestro: game, set and match Pierfrancesco Favino! (critical)
The Italian actor shines as a bully tennis coach whose cracks become more and more gaping in this Italian film, in perfect balance between drama…
Scarlet and Eternity: the new peak from the director of The Wolf Children (review)
The Japanese Mamoru Hosada signs a gem of an animated film, a personal and feminist rereading of Shakespeare’s Hamlet. To die for. Shakespeare’s Hamlet is…
Pillion: deeply uneasy, terribly exhilarating (review)
Harry Lighton reveals himself in a daring first feature, screenplay prize at Un certain regard, on the relationship between a biker and the young man…
Two women and a few men: a spicy portrait of femininity (review)
Quebecois Chloé Robichaud dynamites the comedy of manners by celebrating the imperfect feminism of everyday life through sharp dialogues, an impeccable sense of rhythm and…
Pillion: Deeply uneasy, terribly exhilarating (review)
Harry Lighton reveals himself in a daring first feature, screenplay prize at Un certain regard, on the relationship between a biker and the young man…
Retirement Home 2 on TF1: Ehpad pity for Kev Adams (review)
Kev Adams does it again with his old French comedy curmudgeons. Retirement Home 2 is broadcast for the first time unencrypted this Sunday on TF1….