Head to Head: The Lila Gueneau Revelation (review)
The actress bursts onto the screen as a teenager who became pregnant following a rape in a first film set against the backdrop of the…
The Object of the Crime: A biting comedy (review)
For her first screenplay written without Jean-Pierre Bacri, Agnès Jaoui signs a film rich in nuances around the #Metoo movement. With the audacity of not…
The Old Oak: Ken Loach’s latest film, still poignant (review)
An English town plagued by impoverishment where the arrival of refugees divides its inhabitants while creating a surge of humanity. As he approaches his 90th…
Etty: a masterful series to watch on Arte (review)
Hagai Levi adapts the diaries of Etty Hillesum, a young Jewish woman who died in Auschwitz in 1943, in a deliberately contemporary Amsterdam. A radical…
The Loved One, Autofiction, The Mandalorian and Grogu: what’s new at the cinema this week
What to see in theaters THE EVENTBE LOVED ★★★★☆ By Rodrigo Sorogoyen The essentials Sorogoyen abandons the thriller for a face-to-face encounter between a filmmaker…
Star Wars – The Mandalorian and Grogu: In the Name of the Father (review)
After his series, Jon Favreau, the filmmaker of Iron Man, continues to take hold of the Star Wars saga by featuring those left behind. But…
The Loved One, Autofiction, Star Wars: The Mandalorian and Grogu: what’s new at the cinema this week
What to see in theaters THE EVENTBE LOVED ★★★★☆ By Rodrigo Sorogoyen The essentials Sorogoyen abandons the thriller for a face-to-face encounter between a filmmaker…
Star Wars: The Mandalorian and Grogu: In the Name of the Father (review)
After his series, Iron Man filmmaker Jon Favreau continues to take control of the Star Wars saga by featuring those left behind. But with too…
Cannes 2026 – Autofiction: beautiful and incandescent (review)
After Pain and Glory, Almodóvar returns to autofiction, which he approaches as a cruel questioning of art and the pain that we steal from others….
Cannes 2026- Jim Queen: Deliciously obscene and joyfully regressive (review)
The Bobbypills studio goes full length with a gay fable about a virus that makes you straight. Raw, funny and politically charged animated comedy: what…
Cannes 2026 – The Loved One: a masterful film (review)
Rodrigo Sorogoyen abandons the thriller for a face-to-face between a filmmaker father (Bardem) and his actress daughter (Luengo) whom he has not seen for years….
Cannes 2026: what is the new Asghar Farhadi, Parallel Stories worth? (critical)
The Iranian director revisits the sixth episode of Kieslowski’s Decalogue with a four-star cast, where Adam Bessa and Virginie Efira particularly shine Based on an…