LOL 2.0: what is the sequel to Lisa Azuelos’ generational comedy worth?
Without Christa Theret but with Sophie Marceau as inspired as ever, the director proves that she remains as connected to the youth of 2026 as…
No Other Choice: A Black Comedy Masterpiece (review)
A laid-off executive decides, to make his job search easier, to kill his competitors one by one. Adapting Westlake, Park Chan-wook mixes thriller, love drama,…
The Smurfs on Canal Plus: what is Chris Miller’s film worth? (critical)
The director of Puss in Boots is at the helm of this family comedy playing with different styles of animation but sorely lacking in inventiveness…
See you tomorrow on the moon: A captivating documentary (review)
The director of the documentary Babies finds the right tone – in substance and form – to talk about the end of life We discovered…
The Coming of the Future on Canal Plus: the Klapisch family is renewed (review)
A double initiatory story which brings the Paris of 1895 into dialogue with that of today and where Klapisch’s sense of casting and direction of…
Illusions lost on France 3: a fascinating adaptation of Balzac (review)
A great film which brought together nearly a million spectators in theaters and triumphed at the 2022 César Awards. A few weeks before the release…
Marsupilami: successful bet for Philippe Lacheau (review)
After Shabat, Lacheau recovers the Marsu and immerses it in his trashy universe. Jamel Debbouze takes his Pablito back to bridge the gap. Two comic…
Lulu naked woman on France 4: at Sólveig Anspach, women are strong (critic)
Led by Karin Viard, the adaptation of Etienne Davodeau’s comic book is successful. In 2014, Karin Viard reunited with Sólveig Anspach, fifteen years after the…
One night on Cstar: successful drama for Karin Viard and Alex Lutz (review)
The director of Guy returns with a dating story that rings true, co-written with his playing partner. Paris, crowded metro, an evening like any other….
Promised Heaven: a relevant look at the question of exile (critique)
Erige Sehiri’s powerful new film talks about the difficulty of finding one’s place in a country that is not one’s own, despite a racism that…
La Reconquista: playful and melancholic (review)
The film of the meeting between Jonas Trueba and his favorite actress, the dazzling Itsaso Arano. A chronicle around the traces left by a first…
La Grazia: Toni Servillo, once again masterful (review)
Sorrentino follows a president who hands out presidential pardons when he has nothing left to lose. Less glitz, more silence: a twilight film about love…