Moulin: Gilles Lellouche-Lars Eidinger, virtuoso duo (review)
The two actors impress as Jean Moulin and Klaus Barbie in the new Laszlo Nemes which looks back on the last days – of interrogation…
Hope: excessive and jubilant (critic)
Ten years after The Strangers, Na Hong-jin returns with a wild alien invasion film. A visceral cinematic pleasure that mixes action, humor and terror. Ten…
Karma, La Gradiva, Clayface: what’s new at the cinema this week
What to see in theaters THE EVENTKARMA ★★★☆☆ By Guillaume Canet The essentials César winner for Tell No One, Guillaume Canet returns to the thriller…
The King of the game: a fall for Eric Judor (review)
Nine years after the brilliant Problemos, Eric Judor returns to directing by diving into the world of medieval role-playing games. And the disappointment lives up…
The Island of Memories: a survivable odyssey on friendship (review)
The authors of Puss in Boots 2 take us to the Philippines for a stunning visual festival, full of emotion, but which would have benefited…
La Gradiva: a marvel of a first film (review)
Marine Atlan observes the tribulations of high school students on a school trip to Pompeii and dissects group dynamics and individual destinies with almost documentary…
Karma: Marion Cotillard and Denis Ménochet impress (review)
César winner for Tell No One, Guillaume Canet returns to the thriller and signs his darkest film, carried by the striking interpretation of the duo…
Interstellar on Arte: a melodrama hidden beneath a great space odyssey (review)
Kubrickian? Spielbergian? Kaufmanian? Zemeckisian? No, no, none of that. It’s hard to imagine a more Nolanian film than Interstellar. Interstellar, Christopher Nolan’s sci-fi masterpiece, is…
The Corset, Minotaur, Les Misérables: what’s new at the cinema this week
What to see in theaters THE EVENTTHE CORSET ★★★★☆ By Louis Clichy The essentials Moving from Pixar to Beauce, Louis Clichy swaps 3D for watercolor…
Sunken: When 127 Hours Meets Pinocchio (review)
A B series, which works quite well when it sticks to its claustrophobic dimension before ending… swallowed up by a much too hammered metaphor of…
Mercy on Arte: as if Chabrol had returned disguised as Buñuel (review)
An enjoyable and witty filmmaker, Alain Guiraudie creates a mystical western with the appearance of a farce which also knows how to be disturbing. Arte…
France on France 4: a violent satire carried by a kamikaze Léa Seydoux (review)
Bruno Dumont examines a France hysterized by social networks and continuous news channels. “I saw Léa Seydoux in France by Bruno Dumont and it captivated…