Napoleon, Mars Express, Testament: what’s new at the cinema this week
What to see in theaters THE EVENTNAPOLEON ★★★★☆ By Ridley Scott The essential A powerful – and axe-cut – account of the life of the…
Limbo on DVD and VOD: the thriller of the year comes to us from Hong Kong (review)
A black and white hallucination from Hong Kong, like a waking, wet nightmare by Soi Cheang, stylist of extremes, pain and putrefaction. Limbo, not to…
Empire of light: A disappointing Sam Mendes (review)
After Chazelle and Spielberg, Sam Mendes in turn signs his “love letter to cinema”. But multiply the banalities about the saving virtues of art. Canal…
Pamela Rose, the series: Are Kad and O. too old for this bullshit? (critical)
The series adaptation of the adventures of Bullit and Riper does not find the comic force of the first film. When Riper learns that he…
Noah’s Ark: An exciting first feature film (review)
The daily life of an association supporting young LGBT people chased away by their families. An exciting first feature where Finnegan Oldfield and Valérie Lemercier…
Mars Express: a SF summit made in France (review)
Murders, androids, augmented humans and trafficking of all kinds: a great animated film where dizziness arises as much from its staging as from its quite…
Black box: an effective paranoid mental thriller (review)
A great acting performance by Pierre Niney in this film which won the Audience Award at the recent Angoulême festival. Released on September 8, 2021…
Black box: an effective paranoid mental thriller (review)
A great acting performance by Pierre Niney in this film which won the Audience Award at the recent Angoulême festival. Released on September 8, 2021…
Matrix Resurrections: can you make your eighth film as if it were your first?
A look back at this fourth part of Matrix, produced solo by Lana Wachowski, on the occasion of its first free-to-air broadcast on television. Released…
Napoleon: Ridley Scott dynamites the life of the Emperor (review)
An overpowering story, with choppy editing, of the life of Bonaparte, which perhaps lacks an angle but certainly not cinema. Napoleon opens with the decapitation…
Vincent Must Die is a total success (review)
For his first feature Stéphan Castang plunges Karim Leklou and Vimala Pons into an oppressive survival story and skillfully plays with the boundaries between thriller…
And the party continues! : A great Guédiguian (review)
Return to Marseille and his family of actors for the filmmaker with a new luminous film on the commitment that is transmitted from generation to…