BDE: the new comedy by Michaël Youn, between The 11 Commandments and Project X (review)
All schuss on the black slope of delirium, Youn sets fire to a ski resort. Not entirely successful, but generous with gags. Broadcast on Prime…
Yvan Attal explores Les Choses Humaines: did he get the best out of Karine Tuil’s book? (critical)
The director films his wife Charlotte Gainsbourg, his son Ben Attal and the actress Suzanne Jouannet. “Hello, judicial police. Are you Alexandre Farel?” So begins…
Moonfall: a blockbuster that takes off well, but loses its trajectory (critic)
Our opinion on Roland Emmerich's disaster film, to be (re)watched this Sunday evening on TF1. With Halle Berry, Patrick Wilson and the Moon that threatens…
BDE: the new comedy by Michaël Youn, between The 11 Commandments and Project X (review)
All schuss on the black slope of delirium, Youn sets fire to a ski resort. Not entirely successful, but generous with gags. Broadcast on Prime…
The Passenger with Liam Neeson: The routine? (critical)
Jaume Collet-Serra's action film marks his 4th collaboration with the Irish actor after Without Identity, Non-Stop and Night Run. TMC will rebroadcast this evening The…
The New Woman: a powerful first film, led with conviction by Jasmine Trinca and Leïla Bekhti (review)
Retracing the career of Maria Montessori, screenwriter and director Léa Todorov creates a very beautiful portrait of a woman(s). Did you know that the Montessori…
Passengers of the Night: the new marvel of Mikhaël Hers (review)
Four years after Amanda's emotional shock, Hers this time visits Paris in the 80s where characters eager to believe in the mirages of life are…
Chronicles of Tehran: a major political film (review)
A sketch film with a relentless mechanism acutely shows the violence and absurdity of power relations in Iran. A gesture of tremendous power. A still…
The Sweet East: messy, luminous, unhealthy and irreverent (review)
America's fractures seen through the eyes of a runaway high school student. A story of baroque emancipation where young Talia Ryder sparks. Lilian is bored…
Chronicles of Tehran: a major political film (review)
A sketch film with a relentless mechanism acutely shows the violence and absurdity of power relations in Iran. A gesture of tremendous power. A still…
In the shoes of Blanche Houellebecq: a joyful, twisting and shaky mess (review)
Accustomed to spinning Michel Houellebecq, Guillaume Nicloux mischievously deconstructs the image of the controversial author in a story of a lookalike competition. Michel Houellebecq took…
The Kings of the Track: a deliciously facetious comedy (review)
The incredible adventures of a family of scammers. A light, joyful and deep film at the same time, boosted by its irresistible casting, an unexpected…