The Ultimate Heir: too wise to convince (review)
Banking on the star power of Texan Glen Powell, American John Patton Ford tries, for his second film, to dust off a British classic. The…
The Daughters of Heaven: a hymn to sorority (review)
Bérangère McNeese observes four fashionable girls managing a daily life punctuated by shoplifting and nocturnal tipping. A stunning first feature film, carried by a quartet…
One day with my father: the revelation of a filmmaker (review)
This first Nigerian feature film won a special mention from the Caméra d’Or Jury at the last Cannes Film Festival, demonstrating the talent of Akinola…
Us, the Leroys on TF1: very funny but above all moving (review)
José Garcia and Charlotte Gainsbourg attempt a last-ditch road trip to save their relationship. Their most beautiful score in a long time. Ghent Prize of…
Victoria on France 5: the role that transformed Virginie Efira (review)
In 2016, Justine Triet confirmed her talents as a director with her second feature film. And offered Virginie Efira the role that would mark a…
Trapped – Caught stealing on Canal Plus: Aronofsky lets go of the horses (critic)
Austin Butler loves the screen with his magnetic loser demeanor in this After Hours on amphetamines where the creative insolence of the director of Black…
What is Chris Lord and Phil Miller’s Last Chance Project worth? (critical)
Ryan Gosling in weightlessness in a fun and (too) well-calibrated blockbuster, signed by the duo of directors of Storm of Giant Meatballs and The Great…
Materialists on Canal+: should you watch the rom com with Dakota Johnson and Pedro Pascal? (critical)
Dakota Johnson plays Cupid in a materialistic New York where love is a commodity like any other. Falsely sophisticated and really hollow. Released last summer…
The Dance of the Foxes: an incandescent coming-of-age (review)
A sensitive first feature film from Valéry Carnoy, with an imperial Samuel Kircher as a young ingenuous boxer who the transition to adulthood and toxic…
Rays and Shadows: the first French summit of the 2026 cinema year (review)
There have been great films about the Resistance. On the Occupation, too. On Collaboration? Xavier Giannoli attempts (and largely succeeds) the great unthought/impossible of French…
The Testament of Ann Lee: an aesthetic tour de force (review)
Co-writer of The Brutalist, Mona Fastvold is directing a third female feature, dedicated to a figure forgotten by the history books, and radically plays with…
Il Maestro: game, set and match Pierfrancesco Favino! (critical)
The Italian actor shines as a bully tennis coach whose cracks become more and more gaping in this Italian film, in perfect balance between drama…