Is there a cop to save the world? on Canal Plus: successful reboot! (critical)
The fourth part of the saga remains faithful to its scat and burlesque fundamentals. A shot of political incorrectness within which Liam Neeson reveals an…
On the trail of Marsupilami on TMC: why we love the character imagined by Franquin
As Alain Chabat says, “the Marsu represents a certain idea of freedom”. TMC is taking advantage of Philippe Lacheau’s Marsupilami (which is a hit in…
Uprisings: A Public Service Documentary (review)
Thomas Lacoste recounts the Earth Uprisings movement in a fascinating choral documentary that challenges a multitude of preconceived ideas. A film as committed as it…
Sundays: a new great success from the creator of Querer (review)
After the public and critical success of her series, Spaniard Alauda Ruíz de Azúa returns to the big screen with an intelligent film about the…
Sundays: A new great success from the creator of Querer (review)
After the public and critical success of her series, Spaniard Alauda Ruíz de Azúa returns to the big screen with an intelligent film about the…
LOL 2.0: what is the sequel to Lisa Azuelos’ generational comedy worth?
Without Christa Theret but with Sophie Marceau as inspired as ever, the director proves that she remains as connected to the youth of 2026 as…
No Other Choice: A Black Comedy Masterpiece (review)
A laid-off executive decides, to make his job search easier, to kill his competitors one by one. Adapting Westlake, Park Chan-wook mixes thriller, love drama,…
The Smurfs on Canal Plus: what is Chris Miller’s film worth? (critical)
The director of Puss in Boots is at the helm of this family comedy playing with different styles of animation but sorely lacking in inventiveness…
See you tomorrow on the moon: A captivating documentary (review)
The director of the documentary Babies finds the right tone – in substance and form – to talk about the end of life We discovered…
The Coming of the Future on Canal Plus: the Klapisch family is renewed (review)
A double initiatory story which brings the Paris of 1895 into dialogue with that of today and where Klapisch’s sense of casting and direction of…
Illusions lost on France 3: a fascinating adaptation of Balzac (review)
A great film which brought together nearly a million spectators in theaters and triumphed at the 2022 César Awards. A few weeks before the release…
Marsupilami: successful bet for Philippe Lacheau (review)
After Shabat, Lacheau recovers the Marsu and immerses it in his trashy universe. Jamel Debbouze takes his Pablito back to bridge the gap. Two comic…