What is the Revival of Souviens- you are worth it last summer? (critical)
Although higher than his heartbreaking previous episode of 2006, this fourth part of the famous franchise tinged with self -mockery remains too much in the…
What is the return of the Smurfs worth on the big screen? (critical)
The director of the Chat Potté is in command of this family comedy playing with the different styles of animation but sorely lacking in inventiveness…
Girls Désir: a director to follow (critic)
This first feature film by Prïncia because shaking up the clichés on men-women relationships among young people in working-class neighborhoods and reveals a bunch of…
Eddington: an exhausting and virtuoso film (critic)
In the USA Cavids of 2020, Joaquin Phoenix and Pedro Pascal clash to become mayors of a small town in New Mexico … Between comedy,…
Eddington: an exhausting and virtuoso film (critic)
In the USA Cavids of 2020, Joaquin Phoenix and Pedro Pascal clash to become mayors of a small town in New Mexico … Between comedy,…
Girls Désir: a director to follow (critic)
This first feature film by Prïncia because upsets the clichés on men-women relationships among young people in working-class neighborhoods and reveals a bunch of young,…
Eddington: an exhausting and virtuoso film (critic)
In the USA Cavids of 2020, Joaquin Phoenix and Pedro Pascal clash to become mayors of a small town in New Mexico … Between comedy,…
Fires in the plain: a dizzying thriller
Produced by the director of Black Coal, a tortuous black film divided into two periods – 1997 and 2005 – which brilliantly tells the Chinese…
Fires in the plain: a dizzying thriller
Produced by the director of Black Coal, a tortuous black film divided into two periods – 1997 and 2005 – which brilliantly tells the Chinese…
Materialists: the director of Past Lives disappoints (Critique)
Dakota Johnson plays cupids in a materialist New York where love is a commodity like the others. Falsely sophisticated and really hollow. Receiving Past Livesthe…
The piano accident: a cruel and misanthropic comedy (critic)
Adèle Exéréehapolous denies as an internet star entangled in a dirty business. The most “Östlundian” film by Quentin Dupieux A catchy pitch, an irresistible first…
Materialists: the director of Past Lives disappoints (Critique)
Dakota Johnson plays cupids in a materialist New York where love is a commodity like the others. Falsely sophisticated and really hollow. Receiving Past Livesthe…