The Last Showgirl: The Comeback of Pamela Anderson (Critique)
The actress plays a woman drifting in a Las Vegas Claustro. But an overly complacent staging masks the beauty of the gesture. Even in American…
Why I accuse Polanski is an ambiguous and powerful film: our criticism
The controversial French filmmaker received the César for the best director for his vision of the Dreyfus affair. To be reviewed this evening on France…
The Last Showgirl: The Comeback of Pamela Anderson (Critique)
The actress plays a woman drifting in a Las Vegas Claustro. But an overly complacent staging masks the beauty of the gesture. Even in American…
We will go: the revelation of Enya Baroux (critic)
An inflated and endearing comedy on assisted suicide, awarded at the Alpe d’Huez. The next room Almodovar, The last breath de Costa-Gavras … Death and…
Speeding shrimps throw themselves into the water (critical)
A big bathing gay version a little crazy but which flies thanks to its emotion and its humor. This Sunday, W9 is betting on Speed…
The source of women is a pretty oriental and solar tale (critical)
With in particular Leïla Bekhti and Hafsia Herzi. Presented on the last day of the 2011 Cannes Film Festival, The source of women had brought…
The source of women is a pretty oriental and solar tale (critical)
With in particular Leïla Bekhti and Hafsia Herzi. Presented on the last day of the 2011 Cannes Film Festival, The source of women had brought…
Bouli Lanners, Impec in José Bové (Critique)
No, it is not a biopic on the most famous mustachioed peasant in France, but history behind a scandal that shook the European Commission not…
Tom Hanks is credible in worse neighbor in the world (critic)
The story of an “old, moaning and suicidal” type produced by Marc Forster (Neverland, World War Z). With this film released in the cinema in…
Sissi and me: Sandra Hüller, evening star on Arte
The Franco-German chain will offer this film which dust off the image of the Empress, followed by the passionate self-portrait of the flagship actress of…
In the Lost Lands, after the end of the world (critic)
Clumsy and badly damn, the new Paul WS Anderson is not however devoid of a certain (and pretty) Nanarde poetry. In 1975, George RR Martin27,…
Event: a complete success (critic)
Lion d’Or de la Mostra 2021, this sober and just adaptation of Annie Ernaux’s autobiographical novel returns to television. At the end of Eventher autobiographical…