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Creed III: Michael B. Jordan ensures the dynasty (critic)

Creed III: Michael B. Jordan ensures the dynasty (critic)

March 14, 2025March 14, 2025

A nice boxing film boosted by superheroic effects and carried by a duel of amazing actors, but which puts a little too easily Rocky away….

The Electric State, a big flat battery (critic)

The Electric State, a big flat battery (critic)

March 14, 2025March 14, 2025

Ultimate soulless avatar of a copy of unattainable classics, the new SF film of the Russo brothers does not cause any particular emotion. The Electric…

Parthenope: When Paolo Sorrentino makes his contempt (critic)

Parthenope: When Paolo Sorrentino makes his contempt (critic)

March 12, 2025

The Italian explores the power of beauty through the life of a Neapolitan. A controversial but ambitious film, which transcends simple aesthetic contemplation. Paolo Sorrentino…

Kabul’s kite, curious mixtures of lucidity and sensitiveness (critic)

Kabul’s kite, curious mixtures of lucidity and sensitiveness (critic)

March 11, 2025March 11, 2025

Between lucidity and sentimentality, Marc Forster’s film is not as strong as the novel by Afghan Khaled Hosseini. At the beginning of 2008, the editors…

Parthenope: When Paolo Sorrentino makes his contempt (critic)

Parthenope: When Paolo Sorrentino makes his contempt (critic)

March 11, 2025

The Italian explores the power of beauty through the life of a Neapolitan. A controversial but ambitious film, which transcends simple aesthetic contemplation. Paolo Sorrentino…

The Last Showgirl: The Comeback of Pamela Anderson (Critique)

The Last Showgirl: The Comeback of Pamela Anderson (Critique)

March 11, 2025

The actress plays a woman drifting in a Las Vegas Claustro. But an overly complacent staging masks the beauty of the gesture. Even in American…

Why I accuse Polanski is an ambiguous and powerful film: our criticism

Why I accuse Polanski is an ambiguous and powerful film: our criticism

March 10, 2025March 10, 2025

The controversial French filmmaker received the César for the best director for his vision of the Dreyfus affair. To be reviewed this evening on France…

The Last Showgirl: The Comeback of Pamela Anderson (Critique)

The Last Showgirl: The Comeback of Pamela Anderson (Critique)

March 10, 2025

The actress plays a woman drifting in a Las Vegas Claustro. But an overly complacent staging masks the beauty of the gesture. Even in American…

We will go: the revelation of Enya Baroux (critic)

We will go: the revelation of Enya Baroux (critic)

March 10, 2025

An inflated and endearing comedy on assisted suicide, awarded at the Alpe d’Huez. The next room Almodovar, The last breath de Costa-Gavras … Death and…

Speeding shrimps throw themselves into the water (critical)

Speeding shrimps throw themselves into the water (critical)

March 8, 2025

A big bathing gay version a little crazy but which flies thanks to its emotion and its humor. This Sunday, W9 is betting on Speed…

The source of women is a pretty oriental and solar tale (critical)

The source of women is a pretty oriental and solar tale (critical)

March 7, 2025March 7, 2025

With in particular Leïla Bekhti and Hafsia Herzi. Presented on the last day of the 2011 Cannes Film Festival, The source of women had brought…

The source of women is a pretty oriental and solar tale (critical)

The source of women is a pretty oriental and solar tale (critical)

March 7, 2025March 7, 2025

With in particular Leïla Bekhti and Hafsia Herzi. Presented on the last day of the 2011 Cannes Film Festival, The source of women had brought…

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