Ghostbusters – The Ice Menace: return to the roots of the saga (review)
Gil Kenan mixes generations, from Dan Aykroyd to McKenna Grace via Paul Rudd for a new episode, certainly imperfect but clever and good spirited! Canal…
Doctor Strange in the Multiverse of Madness: The Rule of I (review)
Sam Raimi has succeeded in putting his stamp on this MCU superfilm, even if it ultimately resembles a super big episode of Rick and Morty….
Anora, Flow, the cat who was no longer afraid of water, Juror n°2: what’s new at the cinema this week
What to see in theaters THE EVENTANORA ★★★★☆ By Sean Baker The essentials Sean Baker continues to assert himself as a subtle painter of American…
Doctor Strange in the Multiverse of Madness: The Rule of I (review)
Sam Raimi has succeeded in putting his stamp on this MCU superfilm, even if it ultimately resembles a super big episode of Rick and Morty….
Lady Bird: melancholy teen movie (Review)
In her first real feature film, Greta Gerwig discreetly cracks the codes of the coming-of-age movie to impose her bittersweet touch. Lady Bird returns to…
Anora, Flow, the cat who was no longer afraid of water, Juror n°2: what’s new at the cinema this week
What to see in theaters THE EVENTANORA ★★★★☆ By Sean Baker The essentials Sean Baker continues to assert himself as a subtle painter of American…
It’s not for nothing that Kate Winslet won an Oscar for The Reader (review)
Stephen Daldry’s drama returns this evening on Arte, followed by a beautiful portrait of the British actress. What would you have done under occupation? How…
Werewolves on Netflix: a good FFF comedy (French family fantasy) (review)
The official adaptation of a fun bestseller is a good, calibrated and funny product. What a funny idea to adapt one of the board game…
Flow, the cat who was no longer afraid of water: a visual and narrative shock (review)
A rereading of the Flood through the eyes of a cat playing with its skin each time the waters rise. An ultra-immersive film that will…
Flow, the cat who was no longer afraid of water: a visual and narrative shock (review)
A rereading of the Flood through the eyes of a cat playing with its skin each time the waters rise. An ultra-immersive film that will…
Anora: an irresistible burlesque odyssey (review)
Sean Baker continues to assert himself as a subtle painter of American outsiders with this wild variation on Pretty Woman, Palme d’Or at Cannes. How…
Werewolves on Netflix: a good FFF comedy (French family fantasy) (review)
The official adaptation of a fun bestseller is a good, calibrated and funny product. What a funny idea to adapt one of the board game…