The Fall Guy: an action comedy like no other (review)
The director of Bullet Train turns Ryan Gosling into a stuntman caught in a plot that is beyond his control. A success. Stuntman turned director,…
Cube is 25: why Vincenzo Natali's broke film has aged so well
Released in 1999 in cinemas, this twisted thriller can be watched again with pleasure on Netflix or Amazon. In 1997, the Canadian Vincenzo Natali toured…
Fantastic Beasts 3: Dumbledore's Secrets adds confusion to confusion (review)
On the farm, the animals? Not so fast: this film which was supposed to put the Harry Potter franchise back on track has still not…
Rashōmon by Akira Kurosawa, the film that started it all (review)
Few works have given rise to an adjective. To find out everything about the “Rashōmon effect”, it’s here! In late Heian Japan (794-1185), four people…
Fantastic Beasts 3: Dumbledore's Secrets adds confusion to confusion (review)
On the farm, the animals? Not so fast: this film which was supposed to put the Harry Potter franchise back on track has still not…
Cube is 25: why Vincenzo Natali's broke film has aged so well
Released in 1999 in cinemas, this twisted thriller can be watched again with pleasure on Netflix or Amazon. In 1997, the Canadian Vincenzo Natali toured…
The Deserter: caustic and surprising (review)
The story of an Israeli deserter treated in a manner that is both distressing and burlesque, Dani Rosenberg's second film reveals a very contemporary acuity….
The Law of Tehran: an impressive societal thriller (review)
Panorama of crack trafficking in Tehran through the mirrored portraits of a cop and a thug. A big uppercut, seen and approved by William Friedkin….
The Deserter: caustic and surprising (review)
The story of an Israeli deserter treated in a manner that is both distressing and burlesque, Dani Rosenberg's second film reveals a very contemporary acuity….
Challengers: return (finally!) winning for Guadagnino (review)
Between racing hearts and exhaustion of bodies against the backdrop of tennis, the director of Call me by your name films a love triangle, embodied…
Back to black: impressive Marisa Abela (review)
Although sanitized, this biopic on Amy Winehouse still manages to capture something of the wounded intimacy of a young girl in search of simple happiness….
Rebel Moon: Part 2 – The Slasher, two repeats (review)
The sequel to Zack Snyder's space opera on Netflix is just a big fight scene without much vision. We had finished the first part of…