Trapped: a clarustro closed-line with tasty irony (critic)
Anthony Hopkins trap Bill Skarsgard in a car transformed into a hi-tech prison. And we too, in this little highly entertaining concept film.
Who would refuse to see a clarustro closed-line Phone game Or Buriedwith a hero prisoner of an ultra-exigu place from which he has a priori chance to go out? Not us. After telephone booths or Iraqi coffins, Trap Locked up a small thief without scope in a car studied by its owner, a rich doctor who is tired of having his SUVs pulled in the parking lot at the bottom of his home, and therefore decided to transform the last one into a room of traveling tortures. The prey is played by Bil Skarsgard and the torturer by Anthony Hopkins, in voice as two thirds of the film, and who takes up her accents so familiar with sweet psychopath here.
Chip with Argentinian film 4×4the argument of Trap less offer to director David Yarovesky (Brightburn: the child of evil) The occasion of a demonstration of confined film virtuosity (not much to put in the tooth on this plane), that the starting point of a moral and political fable, questioning the arrogance and brutality that ultra-rich are subject to the rest of the world. A great subject, but treated in the form of a slightly degenerated psychological thriller, with the aesthetics of the clippesque and aggressive, mixed with a touch of horror and a lot of irony (you do not find that this car has false tesla tunes?). The whole is packed with enough energy and conciseness (1h35 on the clock) so that, unlike Bill Skarsgard, we do not think for a moment to move from our chair and seek the exit.
