Retirement Home 2 on TF1: Ehpad pity for Kev Adams (review)
Kev Adams does it again with his old French comedy curmudgeons. Retirement Home 2 is broadcast for the first time unencrypted this Sunday on TF1….
The Piano Accident on Canal Plus: a cruel and misanthropic comedy (review)
Adèle Exarchopoulos is crazy as an Internet star entangled in a dirty affair. Quentin Dupieux’s most “Westlundian” film. Released last summer in cinemas, The Piano…
The Little Last One on VOD: Hafsia Herzi’s most beautiful film (review)
Adapted from the autobiographical book by Fatima Daas, this story of the emancipation of a young lesbian of Muslim faith reveals a stunning actress, Nadia…
Enzo on Canal Plus: a story of work and desire (review)
Imagined by Laurent Cantet and produced by his lifelong accomplice Robin Campillo after his death, a skin-deep initiatory story that reveals a talent to follow:…
The Teachers’ Room on Arte: chaos in the heart of the school (review)
Nominated for an Oscar for best foreign film, a challenging thriller about school which provides relevant reflection on the difficulties of the teaching profession. Two…
Two pianos on VOD: a peak of romance (review)
After a detour through the documentary with Spectateurs!, Arnaud Desplechin happily returns to what he does best: grandiloquent family drama. A few months after its…
A fragile and wonderful world: powerfully romantic (review)
An eventful and thrilling love story spanning more than 30 years in the heart of Beirut which embraces the violent tragedies and crises that successively…
Marty Supreme: Timothée Chalamet breathtaking in a huge acting film (review)
Josh Safdie paints the portrait of a chattering table tennis player in a euphoric fifties epic, between praise of chat and reflection on the fantasy…
Is there a cop to save the world? on Canal Plus: successful reboot! (critical)
The fourth part of the saga remains faithful to its scat and burlesque fundamentals. A shot of political incorrectness within which Liam Neeson reveals an…
On the trail of Marsupilami on TMC: why we love the character imagined by Franquin
As Alain Chabat says, “the Marsu represents a certain idea of freedom”. TMC is taking advantage of Philippe Lacheau’s Marsupilami (which is a hit in…
Uprisings: A Public Service Documentary (review)
Thomas Lacoste recounts the Earth Uprisings movement in a fascinating choral documentary that challenges a multitude of preconceived ideas. A film as committed as it…
Sundays: a new great success from the creator of Querer (review)
After the public and critical success of her series, Spaniard Alauda Ruíz de Azúa returns to the big screen with an intelligent film about the…