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See you tomorrow on the moon: A captivating documentary (review)

See you tomorrow on the moon: A captivating documentary (review)

February 4, 2026February 4, 2026

The director of the documentary Babies finds the right tone – in substance and form – to talk about the end of life We discovered…

The Coming of the Future on Canal Plus: the Klapisch family is renewed (review)

The Coming of the Future on Canal Plus: the Klapisch family is renewed (review)

February 3, 2026February 3, 2026

A double initiatory story which brings the Paris of 1895 into dialogue with that of today and where Klapisch’s sense of casting and direction of…

Illusions lost on France 3: a fascinating adaptation of Balzac (review)

Illusions lost on France 3: a fascinating adaptation of Balzac (review)

February 2, 2026February 2, 2026

A great film which brought together nearly a million spectators in theaters and triumphed at the 2022 César Awards. A few weeks before the release…

Marsupilami: successful bet for Philippe Lacheau (review)

Marsupilami: successful bet for Philippe Lacheau (review)

February 2, 2026

After Shabat, Lacheau recovers the Marsu and immerses it in his trashy universe. Jamel Debbouze takes his Pablito back to bridge the gap. Two comic…

Lulu naked woman on France 4: at Sólveig Anspach, women are strong (critic)

Lulu naked woman on France 4: at Sólveig Anspach, women are strong (critic)

January 30, 2026

Led by Karin Viard, the adaptation of Etienne Davodeau’s comic book is successful. In 2014, Karin Viard reunited with Sólveig Anspach, fifteen years after the…

One night on Cstar: successful drama for Karin Viard and Alex Lutz (review)

One night on Cstar: successful drama for Karin Viard and Alex Lutz (review)

January 28, 2026January 28, 2026

The director of Guy returns with a dating story that rings true, co-written with his playing partner. Paris, crowded metro, an evening like any other….

Promised Heaven: a relevant look at the question of exile (critique)

Promised Heaven: a relevant look at the question of exile (critique)

January 27, 2026January 27, 2026

Erige Sehiri’s powerful new film talks about the difficulty of finding one’s place in a country that is not one’s own, despite a racism that…

La Reconquista: playful and melancholic (review)

La Reconquista: playful and melancholic (review)

January 27, 2026

The film of the meeting between Jonas Trueba and his favorite actress, the dazzling Itsaso Arano. A chronicle around the traces left by a first…

La Grazia: Toni Servillo, once again masterful (review)

La Grazia: Toni Servillo, once again masterful (review)

January 26, 2026

Sorrentino follows a president who hands out presidential pardons when he has nothing left to lose. Less glitz, more silence: a twilight film about love…

Guru: what is the new Pierre Niney worth? (critical)

Guru: what is the new Pierre Niney worth? (critical)

January 26, 2026January 26, 2026

This thriller about influence and speech is less about what it says than what it shows. But can we film the speech without being a…

An impossible love on France 4: Christine Angot in the text (review)

An impossible love on France 4: Christine Angot in the text (review)

January 24, 2026

The film that saw the birth of love at first sight between Virginie Efira and Niels Schneider. At the end of 2018, Catherine Corsini adapted…

The Last of the Mohicans on France 5: Daniel Day-Lewis has the flame (review)

The Last of the Mohicans on France 5: Daniel Day-Lewis has the flame (review)

January 20, 2026January 20, 2026

One of Michael Mann’s greatest films, with an actor at the top of his game. The Last of the Mohicans by Michael Mann is broadcast…

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