Lady Bird: melancholy teen movie (Review)
In her first real feature film, Greta Gerwig discreetly cracks the codes of the coming-of-age movie to impose her bittersweet touch. Lady Bird returns to…
Anora, Flow, the cat who was no longer afraid of water, Juror n°2: what’s new at the cinema this week
What to see in theaters THE EVENTANORA ★★★★☆ By Sean Baker The essentials Sean Baker continues to assert himself as a subtle painter of American…
It’s not for nothing that Kate Winslet won an Oscar for The Reader (review)
Stephen Daldry’s drama returns this evening on Arte, followed by a beautiful portrait of the British actress. What would you have done under occupation? How…
Werewolves on Netflix: a good FFF comedy (French family fantasy) (review)
The official adaptation of a fun bestseller is a good, calibrated and funny product. What a funny idea to adapt one of the board game…
Flow, the cat who was no longer afraid of water: a visual and narrative shock (review)
A rereading of the Flood through the eyes of a cat playing with its skin each time the waters rise. An ultra-immersive film that will…
Flow, the cat who was no longer afraid of water: a visual and narrative shock (review)
A rereading of the Flood through the eyes of a cat playing with its skin each time the waters rise. An ultra-immersive film that will…
Anora: an irresistible burlesque odyssey (review)
Sean Baker continues to assert himself as a subtle painter of American outsiders with this wild variation on Pretty Woman, Palme d’Or at Cannes. How…
Werewolves on Netflix: a good FFF comedy (French family fantasy) (review)
The official adaptation of a fun bestseller is a good, calibrated and funny product. What a funny idea to adapt one of the board game…
Transformers: the beginning, a winning return to the origins (review)
Josh Cooley takes on a headless mythology by looking at it from the angle of class struggle. Well then. Like any frankness wishing to prolong…
Mr Aznavour, Transfomers: the beginning, The Killer: what’s new at the cinema this week
What to see in theaters THE EVENTMR AZNAVOUR ★☆☆☆☆ By Mehdi Idir and Grand Corps Malade The essentials Grand Corps Malade and Mehdi Idir sign…
The Innocent: a jewel of playfulness, finesse and class (review)
Louis Garrel tries his hand at heist comedy and signs his best film to date. Released in October 2022 in cinemas, and after having won…
Monsieur Aznavour: a smooth biopic without point of view (review)
Grand Corps Malade and Mehdi Idir wallow in all the clichés of an exercise worn to the bone, despite an impeccable Tahar Rahim. The “Monsieur”…