Rediscover the 2001 of Stanley Kubrick in 70 mm
First and Pathé combine to show the masterpieces of the 7th art in 35 mm on the big screen. This Sunday, Kubrick’s Space Opera is projected in extra wide.
From Sunday, June 15, moviegoers will be able to rediscover the hypnotic power of Stanley Kubrick’s cinema as it should be: indoors, in the Pathé Palace (in Paris), on film, in the grain and the texture that the perfectionist filmmaker had imagined. First and Pathé thus inaugurate an exceptional cycle of projections in 35 mm and 70 mm.
2001: towards infinity and beyond
Between Doctor FOLAMOUR (1964) and Mechanical orange (1971) – Two ironic and pessimistic looks of a violent world – Stanley Kubrick signs 2001, the space of space (1968). The then 40 -year -old American filmmaker, plans this intergalactic journey inspired by the British author Arthur C. Clarke, as ” trip “Who offers” An optimistic vision of humanity. »A subjective impression, each of them being able, in fact, to get their own idea of this existential reflection on our future. 2001 is a Pandora’s box in which the infinity of possibilities is locked up.
This visionary work continues today to fascinate filmmakers including Christopher Nolan who with Interstellar (2014) had dared to keep the master in this cosmic apprehension of the story. He had come in 2018 to the Cannes Film Festival presenting a 70 mm copy of the film to celebrate his fiftieth anniversary.
50 things to know on 2001 the space of space
The exceptional projections of the Pathé Palace offer 2001, the space of space In its original format, the 70mm Super Panavision previously used by David Lean for his Lawrence of Arabia. In addition to the size and majesty of the image, this technique offered the simultaneous use of six tracks from its different, of which Kubrick has magnificently taken advantage of.
https://www.youtube.com/watch?v=5px2vwycewe
Mechanics continues in orange and 70 mm
Next meeting on July 13 with Mechanical orange (1971) Projected itself in 70 mm
For each film, there will be two projections. The first will be presented by writing your favorite magazine, and a catch -up session will be offered the following week. A good way to remember that certain films should not only be seen: they must be lived, in the darkness of the rooms, carried by the breath of the film. More than anyone, Kubrick understood this. The proof on Sunday.
