King Sun won the jackpot: trailer for a closed door under tension

King Sun won the jackpot: trailer for a closed door under tension

The magnetic director signs his return with Pio Marmaï, Sofiane Zermani and Lucie Zhang, who swap their morals against a lottery ticket.

Four years ago, Magnetics won the César for the best first film.

With this drama, Vincent Maël Cardona (Behind the Arte series Grace) had dazzled the public of The fortnight in Cannes.

This year, the French filmmaker has signed his comeback on La Croisette with a brand new film, always well rooted in reality, The Sun Kingpresented in midnight session.

The first images of this Parisian closed do. According to this trailer (below), truths and lies seem to be confused. The protagonists face a dilemma between personal interests and conscience. Despite the few indices revealed, the quest for the truth promises to be laborious. A way to tell our time through human flaws, questioning the fragile balance between morality and money. This thriller, signed Vincent Maël Cardona, will be released in dark rooms August 27.

Synopsis: “A man died at the Sun King, a PMU bar in Versailles. He leaves a winning lotto ticket of several million euros. By arranging a little with reality and their conscience, the witnesses of the drama could leave with the money … What if the truth was only a well -put together scenario?»

The director teams up with Olivier Demangel (Lurking) for writing the script. To embody this strange story, the filmmaker calls on a parade of French cinema stars. Faces that we know well. We will find Pio Marmaï (On freedom!) – which collects six nominations at César – and Lucie Zhang (The Olympiads) in the main roles. This four -star casting is completed by Sofiane Zermani (Barbès, Little Algeria),, MARIA DE MEDEIROS (pulp Fiction),, Panayotis Pascot (Adopt a widower),, Joseph Olivennes (Magnetics),, Nemo Schiffman (She leaves),, Xianzeng Pan And Claude AUFAURE.

While waiting for its release on August 27, here is the trailer:

Magnetics: a rock film with joyful nostalgia (critic)

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