Spider-Man: Brand New Day, Tom Holland's best web (review)

Box office: 7 million admissions in France for Spider-Man: Brand New Day

With 900,000 new spectators this week, Spider-Man is on track to double the final total of Spider-Man: No Way Home in France.

The web continues to expand.

Spider-Man: Brand New Day attracts another 901,809 spectators this week and brings its total to 7.15 million admissions in France. Destin Daniel Cretton’s film is now only about 190,000 tickets away from the score achieved by Spider-Man: No Way Home in 2021.

With 7,337,229 entries, the previous section should therefore be exceeded before the weekend. Brand New Day will then become the biggest success of all time for a superhero film in France, further confirming the incredible power of Tom Holland’s return in the costume of Peter Parker.

Behind the spider-man, The Odyssey he also continues his impressive journey. Christopher Nolan’s film adds 586,000 admissions and reaches 6,981,975 spectators. The 7 million mark should therefore fall very quickly.

A new French record for the director, since his previous best score in France was held by Inceptionwhich had approached 5 million entries. The Odyssey therefore largely pushed back Nolan’s best mark in France.

On the third step of the podium, Fallen from the sky confirms his pleasant surprise. The film directed by Ilyes Djadel attracts more than 500,000 new spectators and is now approaching 1.2 million admissions. A solid performance for this French production, while From the Comédie-Française also reached the milestone of one million spectators.

On the new side, the Palme d’or Fjordby Cristian Mungiu, starts with 180,000 entries. A rather modest result for a film crowned with the supreme award of the Cannes Film Festival. It does less well than the previous Palmes d’Or released in France, A simple accidentwhich started at 221,000 admissions in 2024, and Anorato 212,000 entries in 2024. Fjord can, however, console itself with a solid average of 664 spectators per screen.

Finally, the situation is more complicated for The End of Oak Street. The blockbuster starring Anne Hathaway recorded only 175,000 additional admissions and remained below the 500,000 spectator mark after two weeks. A disappointing performance for a production of this magnitude, carried by a Hollywood star and above all by the promise of dinosaurs.

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