Cannes 2026: Virginie Efira illuminates the astonishing Suddenly
In competition, the Japanese filmmaker of Drive My Car installs Virginie Efira at the head of a Parisian nursing home and signs an anti-capitalist pamphlet…
Ten percent, the film: a first extract and a date after the rise of the steps in Cannes
Camille Cottin and the whole gang are on the Croisette to launch the promotion of the Netflix feature film. Netflix took advantage of the Cannes…
Cannes 2026: Colony, a Die Hard among zombies
The director of Last Train to Busan returns to Cannes with a clever zombie film. Colony mixes Romero and McT in a Seoul tower. Obviously…
Cannes 2026 – Day 4: the Hamaguchi theater, Travolta’s Palme, Farhadi by Adam Bessa…
Every day, the hot spot live from the 79th Cannes Film Festival. Film of the day: Suddenly by Ryūsuke Hamaguchi (in competition) We will think…
Romain Gavras is preparing a film about the Louvre heist
The director of “The World is Yours” and “Athena” has found the subject of his next film. The French Film reveals today the new project…
Cannes 2026: Fatherland, the winter journey of Thomas Mann
Eight years after Cold War, the Polish filmmaker returns to Cannes with a miniature film about the return of Thomas Mann to the torn Germany…
Marion Cotillard flees justice in the first Karma teaser
The actress reunites with Guillaume Canet in this thriller presented at Cannes 2026. This is one of the events of the Cannes Film Festival. Guillaume…
Maxence Voiseux: “The documentary is a molecule that accelerates life”
Presented in Cannes, Gabin by Maxence Voiseux follows the emancipation of a country boy over ten years. Here he talks about the making of this…
Box office France: The Electric Venus is a hit after its launch at Cannes 2026
Pierre Salvadori’s comedy gets off to a better start than Leaving a Day last year. Driven by an excellent critical reception, The Electric Venus took…
Cannes 2026: A few days in Nagi, a delicate sentimental study, at the risk of blandness
Kôji Fukada, for the first time in competition at Cannes, depicts the life of a few lost souls in a Japanese village, with subtlety but…
Cannes 2026 – A Woman’s Life: Léa Drucker dazzling (review)
After Les Amours d’Anaïs, Charline Bourgeois-Tacquet successfully combines her taste for marivaudage with social concerns around a failing French hospital system We discovered Charline Bourgeois-Tacquet…
Cannes 2026 – In Waves: wonderfully moving (review)
We already have the first nugget of Cannes 2026. An animated film opening Critics’ Week is already a small event in itself. After the tidal…