Summary of Premiere n°555: L'Amour ouf, Emmanuelle, The Apprentice, Megalopolis, Daisy Ridley...

Summary of Premiere n°555: L’Amour ouf, Emmanuelle, The Apprentice, Megalopolis, Daisy Ridley…

But also The Silence of the Lambs, Saoirse Ronan, Sofiane Zermani, Alain Guiraudie, Luke Evans…

Gilles Lellouche and his quartet of irresistible actors (Adèle Exarchopoulos, François Civil, Mallory Wanecque and Malik Frikah) tell us everything about the back-to-school event film: Love phew.

The editorial team also offers you portraits of Sofiane Zermani (great in The Savages And Beards little Algeria), Anaïde RozamInstagram star hired for the series Worshipin a role inspired by the young producer of Loft, Alexia Laroche-Joubert, and Lou Lamprosthe young actress revealed by During his lifetimeby Emmanuelle Bercot, who returns in Live, die, be rebornby Gaël Morel. Like every month, focuses on the design of current event films are also on the program, here around Megalopolis, by Francis Ford Coppola, and of The Apprenticethe Cannes film retracing the early career of Donald Trump.

Also planned: a meeting with Alain Guiraudiein a Parisian church, to probe his relationship to the sacred at the moment he leaves Mercyportrait of a priest overwhelmed by his carnal desires; the commented film of the very talented Irish actress Saoirse Ronanwhich is currently shining in The Outrun ; the making-ofEmmanuelleby Audrey Diwan, a rereading of the erotic myth which differs greatly from its first adaptation; an analysis of the classic thriller The Silence of the Lambs ; and of course the game of “film that…”which is participating this month Luke Evansback in Weekend in Taipei.

On the criticism side, First delivers his favorites among the event films of the September-October turn: in addition to the works cited above, we also review The Story of Souleymane, The Beating Heart, Mother Land, Beautiful Creatures, Riverboom, When Autumn Comes, All We Imagine As Light, The Devil’s Bath, The Bearded Mermaid, Maya Give Me a Title, Lee Miller The Wild Robot… Cinema side. In streaming, return to Wolfswith George Clooney and Brad Pitt, Rebel Ridgethe new Jeremy Saulnier or even I Saw the TV Glowa unique experience from the United States.

In series, finally, First offers you a presentation of The Penguinthe series derived from The Batmanstill with Colin Farrell, as well as Paris has Fallenvariation of action films The fall of…but this time without Gerard Butler, and DisclaimerAlfonso Cuaron’s psychological show.

Happy reading!

Phew love: “It’s just a story of kif”

Here is the editorial of this issue 555:

A mega trip

“A completely crazy film”A “egotistical delirium”. These are the kind of sentences that we could read at the time of the Cannes Film Festival on two of the films at the heart of the news. Despite everything that separates them (and there’s more than just an ocean), Love phew And Megalopolis are two works with totally unique ambition and spectrum.

Lellouche signs a love film in the form of “I remember”while Coppola creates a metaphorical self-portrait. In both cases, the two men decided to free themselves from the rules of the industry (which reacts first in terms of franchise and brand) to think of cinema as an art of the prototype. We can only bow to this desire to produce a total and personal spectacle, which is not afraid of excess or slippage, even less of noise or fury. It works or not (we
let you be the judge, but we have chosen our side). In any case, at a time when cinema is becoming more and more civilized, at a time when studios are subcontracting and producing under vacuum, the freedom of these freed people deserves your attention. And respect.

Gaël Golhen, editor-in-chief

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